The Ọba is the monarch of the Edo people and Kingdom. The current reigning monarch, Ọba Ẹwuare II, is the fortieth Ọba of the current dynasty, which is traditionally understood to have begun around 1170 AD ( ). Over the centuries, the role and conception of the monarch have shifted, and the Emwin Arre (royal treasures) and the visual language they carry provide important evidence for understanding these developments. Although Emwin Arhe served a variety of functions within court life and ritual, “their primary purpose was to glorify the godlike king and the history of the powerful empire” (Plankensteiner 2007, p. 25). Representations of the Ọba are therefore ubiquitous across Benin court arts and frequently occupy a central position within their visual language.
Representations of the Ọba can be recognised through a combination of characteristics, including his size, as he is usually depicted larger than other figures, and his position within compositions, where he may appear in front of or be supported by other figures, as in the Royal Triad motif. The Ọba is also distinguished by particular items of regalia, including the Oro projection from his crown, the distinctive beaded swag extending from his right hip, the Ewu ivie (coral-beaded shirt), and Ukpan obọ eva (crossed coral-beaded baldrics).
Since the early 20th century, scholars have sought to identify individual Ọbas represented on Emwin Arhe by analysing the regalia and other attributes of figures identified as monarchs, as well as the combinations of motifs and figures appearing on particular objects. Oral traditions and historical accounts, alongside European archival sources, have also played an important role in determining the identities of specific Ọbas (e.g., , ; ). Just as the institution of the monarchy developed and changed over time, so too did the ways in which Ọbas were represented by artists working within the royal guilds, including the Igun-Ẹrọnmwọn and Igbesamwan.
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