About
Amanda Maples joined the project for one year between 2020-21 and contributed initial object research and introduction outreach to museums. She brought together preliminary data that institutions shared online and internally with the project and worked on an institutional overview of holding institutions.
Amanda M. Maples is Françoise Billion Richardson Curator of African Art at the New Orleans Museum of Art. She has taught university courses in African arts and served in curatorial and scholarly capacities at the North Carolina Museum of Art, Stanford University’s Cantor Arts Center, the Yale University Art Gallery, the National Museum of African Art, Smithsonian Institution, the High Desert Museum, and UC Berkeley’s Hearst Museum of Anthropology. Maples has curated a range of exhibitions on historical and contemporary African arts and has written about urban and contemporary masquerade, decoloniality, jewelry and self-fashioning, museum policies, collecting practices, and restitutions. Maples holds a PhD in Visual Studies from the University of California, Santa Cruz.
Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here