Emẹ is the generic term for monkeys in Edo (Ọbazee 2025, p. 99). They appear much less frequently than other animals, shown either in full form, crouching or resting on their haunches, with their arms threaded around or resting on their knees; in other cases, only their faces are depicted.

The monkey is associated with success and good fortune (Blackmun 1984, p. 158). In the early 1980s, Paula Ben-Amos (in Blackmun 1984) suggested that Emẹ are associated with the Ehi (personal destiny), “particularly when the Ehi guides one steadily upwards towards success.” Paraphrasing Osemwegie Ebohon (1979, p. 46), Barbara Blackmun (1984) also described a connection between Ọba Ewuare the Great and Emẹ based on a praise name for the warrior king: “the thin headed monkey who hurled himself at his foes.” Emẹ, along with frogs, are also used in palace rituals to promote success in battle (Girshick Ben-Amos 1999, p. 106).

The Ẹkpẹn (leopard) is an animal that appears most often among the motifs decorating the Emwin Arhe (royal treasures). The Ẹkpẹn symbolises the valour and strength of the Ọba, as well as his political authority. The Benin people eulogise the Ọba as the ‘ẹkpẹn n'owa’ (leopard of the home).

When a hunter kills a leopard, he must say “ẹkpẹn n'oha” (I killed a bush leopard), as it is taboo to say that a hunter killed a leopard without specifying that it is a bush leopard, as otherwise this would “be tantamount to symbolically killing the king” (Nevadomsky 1988, p. 81). For this reason, leopards of the bush are called Atalakpa to distinguish them from those that represent the Ọba.

A variety of different kinds of Ahianmwẹ (birds) were depicted by artists from the palace guilds on royal artefacts over the centuries. The precise identification and interpretation of these birds, and the meanings attributed to them, vary. Some of the most commonly depicted are the Akala (white-backed vulture), Oɛɣohɔ (vulturine fish eagle), and Esughusughu (owl).

The Akala is usually depicted on top of Osogan, potent staffs kept by priests for the worship of Osun. Its ewawa (beak) is associated with the azen (witches), and the Akala is associated with “death, abandonment, morbidity, and spoils” ( ). The Oɛɣohɔ is known as the “king of the day birds,” and its feathers are often worn by chiefs in their headwear as symbols of respected old age and proper chieftaincy ( ).

Ehẹn is a general term used to describe various types of fish (Ọbazee 2025, p. 90; ). Although mudfish are one of the most common motifs in Benin art, other kinds of fish are also represented. According to Blackmun ( ), a greater variety of fish are represented on the Aken'ni Elao (carved tusks) than on other types of royal artefacts. According to Kathy Curnow ( ), fish appear on 70 Ama-Ẹrọnmwọn (bronze relief plaques), making them the most commonly represented animal. Despite their prevalence, the precise species of fish are not easy to identify due to their “generic renderings”, possibly indicating that artists did not always distinguish between specific varieties ( ). Fish are represented on the Ama-Ẹrọnmwọn both in profile and from above.

Ẹmila are used mainly for social functions. Although, they maybe used by some affluent chiefs and the royal palace for ceremonial purposes