Registration number
Af1898,0115.80
Institution
British Museum
Edo designations
English designations
Relief Plaque
Categories
Palace Architecture & Ornamentation
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Relief Plaque
Relief Plaque
Relief Plaque

Iconographies

3 annotations
Ẹkpẹn
Leopard

The Ẹkpẹn (leopard) is an animal that appears most often among the motifs decorating the Emwin Arhe (royal treasures). The Ẹkpẹn symbolises the valour and strength of the Ọba, as well as his political authority. The Benin people eulogise the Ọba as the ‘ẹkpẹn n'owa’ (leopard of the home).

When a hunter kills a leopard, he must say “ẹkpẹn n'oha” (I killed a bush leopard), as it is taboo to say that a hunter killed a leopard without specifying that it is a bush leopard, as otherwise this would “be tantamount to symbolically killing the king” (Nevadomsky 1988, p. 81). For this reason, leopards of the bush are called Atalakpa to distinguish them from those that represent the Ọba.

1 annotation
Ẹkpẹn
Uhanbọ & Ifẹnmwẹ
Bow & Arrow

Uhanbọ (bows) and Ifẹnmwẹ (arrows) were produced by members of the Iwifenmwen (guild of archers and manufacturers of poisoned arrows). Arrows, particularly poisoned arrows, were used in warfare. When depicted on Emwin Arhe (royal treasures), Uhanbọ and Ifẹnmwẹ are believed to represent Ake, the deity of archery. According to Aisien (in Plankensteiner 2007, cat. no. 218, p. 438), Ake was an expert marksman who lived during the reign of Ọba Ẹwuare (c. 1440–1473 AD) and is credited with inventing the poisoned arrow used in hunting and warfare.

1 annotation
Uhanbọ & Ifẹnmwẹ
TBC_Iviekpen-member
Leopard Hunter

Members of the Iviekpen, the guild of leopard hunters, are part of the Iwebo palace society. Members of this guild were responsible for the Ọba’s wardrobe and were tasked with hunting and capturing leopards for the Ọba.

Representations of leopard hunters occur most frequently on Ama-Ẹrọnmwọn (bronze relief plaques) dating from the 16th to the mid-17th centuries. They are depicted wearing distinctive helmets made from an unidentified material and carrying bows and arrows. In some representations, leopard hunters carry small leopards, while in others they are accompanied by motifs of bound or captured leopards ( ). On Aken'ni Elao (carved tusks), leopard hunters are depicted only once. argued that this representation is a direct translation of the imagery found on the Ama-Ẹrọnmwọn.

1 annotation
TBC_Iviekpen-member

Provenance

5 events
Production
1504 (approximate) to 1550 (approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Ralph Denham Rayment Moor from Benin Kingdom.
Transfer
March 19, 1897 (day approximate)
The object was transferred from Ralph Denham Rayment Moor to British Foreign Office from Benin City to London.
Loan
September 7, 1897 to January 1898 (month approximate)
The object was loaned by British Foreign Office to the British Museum through Crown Agents for the Colonies in London.
Donation
January 15, 1898
The object was donated by British Foreign Office to the British Museum in London.

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1898,0115.80
Additional IDs
object id
305 (Foreign Office number)
PRN
object id
EAF26770
Object Type
designation
plaque
Description
description
Relief plaque, lost-wax cast in brass. Wide plaque, rectangular in form with side flanges. Background surface decorated with river leaf patterns and stippling. Two nail holes on left side, one hole at bottom left corner, one hole on right side and one partial iron nail in situ on right side. Depicts two standing leopard hunters, facing front. Both wear highly textured helmets with chin straps, baldrics across chest, wrist protectors on left arms and wrap-around skirts. Both figures hold bundles of over-sized arrows and bow in left hand, with quiver hanging at left side. Figure on right also holds single arrow in right hand. Between two figures are two bound and muzzled leopards in side profile, both facing upwards. At feet of hunters is head of further muzzled leopard, lying horizontally, in profile with head facing towards left.
Ethnic name (made by)
ethnic attribution
Edo
Date
16thC-17thC
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
brass ~iron
Technique
production technique
lost-wax cast
Dimensions
dimensions
Height: 50.00 cm~Width: 36.00 cm~Depth: 11.00 cm
Curator’s comments
provenance
The relief brass plaques that used to decorate the Oba's (king's) palace are among the most well-known of all the royal arts of Benin. Although frequently described as 'Benin Bronzes' most plaques are made of leaded brass in various compositions. It is widely accepted that they date to the 16th-17th centuries. In the years prior to the British royal influence in Benin was increasingly under threat from rival powers, both internal and external, with a focus on economic power and control of the important trading monopolies. However, the court and palace remained the political and spiritual centre of the Benin Kingdom. Earlier accounts written by Europeans visiting the city describe its size and scale. The palace complex was set up around atrium courtyards; some had galleries with wooden pillars supporting the roof. Brass plaques, probably made in matching pairs, were fixed to these pillars. The Benin brass plaques represent a distinct and unique corpus of work, unparalleled elsewhere on the continent. They are cast using the cire perdue (lost wax) technique and show significant variation in the depth of the relief. Some of the plaques portray historical events or commemorate successful wars, while others are a vivid depiction of Benin court life and ritual. Several groups of plaques show clear stylistic similarities. William B. Fagg suggested that these plaques represent the work of master brass casters. Fagg, William, 1973, 'Nigerian Images', London: Lund Humphries Gunsch, Kathryn, 2018, 'Benin plaques: a 16th century imperial monument', London: Routledge, Taylor and Francis Group ; Sacrifice of leopards was the prerogative of the king. Captured leopards were sacrified at the annual Igue ceremony. ; Read & Dalton 1899: Two standing figures of archers naked to the waist with the exception of their baldrics, and wearing loin-cloths. They have hoods or hats with heavy chin-straps, the whole surface being covered with projecting tabs. Each carries a short bow with an ornamental binding, feathered arrows with heavy barbed heads, and a flat quiver. There is a bracer on the left wrist and a knife or dagger with a pouch at the right side. In the field are three leopards, muzzled, and bound hand and foot as if they were to be carried slung on poles.
Bibliographic references
bibliography
Gunsch 2018: ~Read & Dalton 1899: pl XIV.4
Exhibition history
exhibition history
Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa 1977 London, BM, Animals in Art
Condition
condition
Fair; top section missing at right and left. Section at bottom missing at centre and right (including most of 3rd leopard). Flange bent and split at right side around midway.
Subjects
iconography
palace/mansion
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
Secretary of State for Foreign Affairs
Acquisition date
accession date
1898
Acquisition notes (excavation)
provenance
This plaque was looted during the British to Benin City in 1897.
Sensitive Content

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