Inventarisnummer
RV-1243-34
Edo designations
English designations
Relief Plaque
Categories
Palace Architecture & Ornamentation
Location
1 Adesogbe (Plymouth) Road, P.M.B. 1115, Benin City , Edo State
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Relief Plaque
Relief Plaque

Iconographies

3 annotations
Aghadaghada
Crossroads

According to , this motif is known as Aghadaghada, a “play on the word ada,” meaning “crossroads.” The design appears as a background motif on a small number of Ama-Ẹrọnmwọn (bronze relief plaques) and is associated with Olokun and the period of close contact between the Benin Kingdom and the Portuguese Empire during the reigns of Ọba Ọzọlua, Ọba Ẹsigie, and Ọba Orhogbua ( ). At the time of Ben-Amos’s research, the same symbol was drawn in chalk at the centre of Olokun shrine courtyards in Benin City. described the design more literally as a “circled cross” and suggested that the Ama-Eronmwon bearing this background motif may have been cast by a particular ‘master’ or member of the Igun-Ẹrọnmwọn.

More broadly, the cross, with its four points, references the number four, which has significance in Edo belief: the Edo week consists of four days, and each day is divided into four parts ( ). Other cross forms are treated as distinct motifs and are discussed separately under Uman-Ague (equal-armed cross).

1 annotation
Aghadaghada
Agbada
Sword

Agbada is a type of short sword with a double-edged blade, used by warriors in hand-to-hand combat ( ; ; Ọbazee 2025, p. 10). Warrior figures carrying Agbada are often depicted on the Ama-Ẹrọnmwọn (bronze relief plaques), both in scenes of combat and in ceremonial contexts.

1 annotation
Agbada
Ikpotoki
Portuguese Figure

Ikpotoki figures (Portuguese figures) are easily distinguished by their European-style clothing, including hats and helmets, as well as by their facial features, particularly their thin, straight noses and straight hair. The objects Ikpotoki figures are shown wearing or holding provide further indications of their relationship with the Benin Kingdom. When they hold or are positioned alongside Ugianran (manillas), for example, they indicate trade, commerce, and wealth, while weaponry such as firearms, swords, or spears indicates their role as mercenaries in the service of the Ọba. In 1515, Ọba Ẹsigie went to war against the Attah of Idah, the ruler of a neighbouring kingdom. Portuguese mercenaries and weapons assisted the Edo in winning the battle, enabling the further expansion of the Kingdom. Ẹsigie’s reign was particularly important for strengthening ties between the Benin Kingdom and the Portuguese Empire, and he is believed to have spoken fluent Portuguese. With Ẹsigie’s encouragement, Portuguese missionaries established churches in the Benin Kingdom ( ; ), while Portuguese trading factories were also established ( ). Ọba Ẹsigie allowed his son to be baptised and sent him to Portugal to be educated; following his return, he became Ọba Orhogbua ( ).

1 annotation
Ikpotoki

Provenance

5 events
Production
1504 (approximate) to 1550 (approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to March 16, 1900
The object is known to have come into contact with William Downing Webster, later in London.
Purchase
March 22, 1900
The object was purchased by the Nationaal Museum van Wereldculturen and Wereldmuseum from William Downing Webster through Johannes Dietrich Eduard Schmeltz, Wilhelmina of the Netherlands and Adelheid Emma Wilhelmina Theresia van Waldeck-Pyrmont from London to Leiden.
Restitution
June 21, 2025
The object was restituted by the Nationaal Museum van Wereldculturen and Wereldmuseum to the Omo n'Oba n'Edo Uku Akpolokpolo, Ọba of Benin & National Commission for Museums and Monuments, Nigeria through Olugbile Holloway and Eppo Bruins from Netherlands to Nigeria.

Related archival documents

2 documents
See all
Date
Date

Institution data

Nationaal Museum van Wereldculturen and Wereldmuseum
The data was transferred directly by the institution.
Last updated: 2022-07-19
Language: dutch
Institution fieldValue
Inventarisnummer
object id
RV-1243-34
Objectnaam
designation
object type
Reliëfplaat (fragment)
Titel
designation
object type
Reliëfplaat: Europeaan met musket
Associatie/beschrijving (online getoond)
description
Deel van reliëfplaat met afbeelding van een Portugees, met lang stijl haar; zijn wambuis is glad; voor zich uit houdt hij een geweer in de aanslag. De pilaren van het paleis van de koning, de Oba, waren van onder tot boven met bronzen reliëfplaten bekl
Materiaal en techniek (NB: ook thesaurustermen aanpassen!)
material
Messing ; verlorenwastechniek
Afmetingenlabel (H x B x D)
dimensions
29 x 17 cm 28,5 x 16,5 x 3,1 cm
Datering
date made
17e eeuw
Verzamelgeschiedenis (toelichting)
provenance
The acquisition of 53 Benin objects (RV-1243-1 to -46 and RV-1295-2 to -7) from William Downing Webster (1868-1913), a British ethnographic art dealer and collector, known to have assembled a large collection from the Benin military campaign of 1897, is characterised by budgeting issues (Waterfield & King 2006: 55-63). When Johannes Schmeltz received a first letter from Webster on 7 December 1899 with a list of Benin objects offered for sale, he realised it would need fundraising on his part to acquire this important collection (NL-LdnRMV-A1-30-542/545). Schmeltz managed to secure funds from, amongst others, Her Majesty the Queen of the Netherlands, Queen Wilhelmina, and the Queen Mother, Princess Emma van Waldeck-Pyrmont. The Queen Mother’s secretary sent a letter to Schmeltz confirming the donation for the purchase of the Benin objects on 8 June 1900 (NL-LdnRMV-A1-31-344/345; CL-L: Nl- LdnRMV_A01_277_00109; AR-L 1899-1900: 13; MR-L: NL-LdnRMV_A03_007_0237). All the financial donors were listed in the Nederlandsche Staatscourant, the Dutch national state newspaper on 25 April 1902. The second batch of objects was sent to the museum for approval on 16 March 1900. Even before being bought, thirteen objects were registered on 22 March (RV-1243-31 to -43) (DB-L: NL-LdnRMV_A03_007_0238). It appears that between March and November 1900 Schmeltz tries to assemble the funds to buy the items from Webster. In the end he is only able to buy items for the total sum of £54.15.00. Webster tells him that it won’t be possible to get lower prices for ‘Benin specimens’ (NL-LdnRMV-A1-32-528). Webster offers him for example favourable terms for several objects stating ‘I will make you a reduction of 10% if you take the lot or 5% for part. But must ask you not to mention to other museums that I have made this concession to you’ (NL-LdnRMV-A1-32-534/535). A final decision was made in a letter sent to Webster on 30 July 1900 (NL-LdnRMV-A1-210-934/936a). This plaque was sold for 3.10.0 GBP (now ca. 382 GBP) although Webster initially priced it at 7.10.0 GBP (ca. 818 GBP) in his catalogue. All the objects that had been sent to the Netherlands for viewing and had not been selected were sent back. Also, some of the objects were first registered as loans, allowing Schmeltz to secure the funds to buy them as they were considered important: ‘From the objects still on loan some deserve to be mentioned here already as especially noteworthy.’ Two men, Elco M. Vis and R. Langenbach enabled the procurement of some loan objects: ‘Because of the gentlemen Elco M. Vis in Amsterdam and R. Langenbach in Worms, yours truly was able to once more purchase one of the objects on loan from the Kingdom of Benin [serie 1243].’ The plates in the annual report show that Schmeltz, used the donations to acquire Webster collections (series RV-1243) and Umlauff collections (series RV-1286, series RV-1310) as the money became available, irrespective of which artworks he had received on view first. (Excerpt from Provenance no. 2 'The Benin collections at the National Museum of World Cultures' written by Rosalie Hans with Annette Schmidt, 05-01-2021)
Cultuur (NB: ook thesaurusterm aanpassen!)
ethnic attribution
Bini
Deelcollectie
department and institution
Materiële cultuurcollectie
Verwervingsdatum
accession date
1900-02-01
Wijze van verwerving
accession method
Aankoop
Literatuur
bibliography
Zie gerelateerde literatuur en onderstaand literatuur Ezra, K., 'Royal Art of Benin; the Perls collection in the Metropolitan Museum of Art'. New York, 1992.
Publicaties over het object
bibliography
Bedaux, R.M.A. 1990 De geschiedenis van de Leidse Benin-verzameling. In: A. Duchâteau, Benin: vroege hofkunst uit Afrika. Brussel: 21 en 162. Marquart, J., 'Die Benin-Sammlung des Reichsmuseums für Völkerkunde in Leiden'. Veroffentlichungen des Reichsmuseums für Völkerkunde in Leiden. Serie II nr. 7. Leiden: Brill, 1913. Webster, W.D. 1889-1899. Illustrated Catalogue of Ethnographical Specimens, European and Eastern Arms and Armour, Prehistoric and Other Curiosities. Vol. 3. No. 18 to 23. Bicester: W.D. Webster. Figure 77 in no. 24. For more information about the provenance, see <a href="https://issuu.com/tropenmuseum/docs/2021_provenance_2__benin__e-book" target="_blank"> Provenance #2 – the Benin collections at the National Museum of World Cultures </a> (NB: Issuu uses cookies).
Objectstatus
legal status
Eigendom
Met dank aan (online getoond)
Periode (NB: ook thesaurusterm aanpassen!)
Benin
Verkorte naam
AFRIK
Sensitive Content

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