Object Number
1994.329a, b
Edo designations
English designations
Knife and Dagger
Sheath
Categories
Weaponry
Location
1000 5th Ave, New York, NY 10028, United States
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Iconographies

3 annotations
Elukeluke / Etuoo
Tortoise

The Elukeluke/Etuoo (tortoise) holds diverse symbolic meanings and associations, including with Ogun (god of war), pride, and trickery ( ). The tortoise is one of the rarest animals depicted on the Emwin Arhe (royal treasures); however, it was used by some carvers of the Igbesamwan to decorate the Aken'ni Elao (carved tusks) and some ivory Ẹgogo (gongs). According to Hans Melzian ( ), the Elukeluke has two praise names: “the thing that swaggers proudly” and “the thing that walks like a cripple.” Both praise names, although contradictory, evoke descriptions of Ọba Ohẹn, who was paralysed from the waist down and attempted to deceive the royal court about this fact.

The Elukeluke appears in stories as an “ambitious and cunning” animal ( ) and is often seen as a cautionary figure in Edo oral tradition. Priestess Azaigueni Aghahowa ( ) described the Elukeluke as a “great liar” who, in the form of a human, had attempted to deceive an Ọba. On discovering the deceit, “the Ọba cursed his house, which fell upon the tortoise's back and crushed it, becoming a part of him. From that time forward his deceitful character has been publicly acknowledged, because ‘he hides his body’.”

1 annotation
Elukeluke / Etuoo
Emẹ
Monkey

Emẹ is the generic term for monkeys in Edo (Ọbazee 2025, p. 99). They appear much less frequently than other animals, shown either in full form, crouching or resting on their haunches, with their arms threaded around or resting on their knees; in other cases, only their faces are depicted.

The monkey is associated with success and good fortune (Blackmun 1984, p. 158). In the early 1980s, Paula Ben-Amos (in Blackmun 1984) suggested that Emẹ are associated with the Ehi (personal destiny), “particularly when the Ehi guides one steadily upwards towards success.” Paraphrasing Osemwegie Ebohon (1979, p. 46), Barbara Blackmun (1984) also described a connection between Ọba Ewuare the Great and Emẹ based on a praise name for the warrior king: “the thin headed monkey who hurled himself at his foes.” Emẹ, along with frogs, are also used in palace rituals to promote success in battle (Girshick Ben-Amos 1999, p. 106).

1 annotation
Emẹ
moon
Uki
Moon

The Uki (moon) is said to be associated with coolness, peace, and joy and to be more important than even Owẹn (the sun) ( ; ). The behaviour and nature of the moon were and are studied by the Iwoki, the guild of astrologists and meteorologists established by Ọba Esigie (c. 1504–50).

The Uki is usually depicted in crescent or half-moon form and appears on some of the Ama-Ẹrọnmwọn (bronze relief plaques), sometimes on its own as a corner motif and at other times as part of compositions with figures identified as being part of the Iwoki. Crescent forms of the moon are also used as part of the motifs decorating textiles and clothing worn by figures.

1 annotation
Uki

Provenance

9 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ematon guild, Unknown member(s) of the Igbesamwan guild and Unknown member of the Isekpokin guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
February 22, 1897 (year approximate) to 1900
The object is known to have come into contact with William Downing Webster, later in Bicester.
Purchase
February 22, 1897 (year approximate) to 1900
The object was purchased by Augustus Henry Pitt-Rivers (Lane Fox) from William Downing Webster from Bicester to Farnham.
Purchase
1966 (approximate)
The object was purchased by Christian Humann.
Loan
1966 (approximate) to 1981
The object was loaned by Christian Humann to the University of Pennsylvania Museum of Archaeology and Anthropology (Penn Museum) in Philadelphia.
Unknown
1981
The object is known to have come into contact with Merton Daniel Simpson, later in New York City.
Purchase
1984
The object was purchased by Claire & Frederick Mebel from Merton Daniel Simpson and Merton D. Simpson Gallery in New York City.
Purchase
1994
The object was purchased by the Metropolitan Museum of Art from Claire & Frederick Mebel through Jacob S. Rogers Fund, Noah and Sadie K. Wachtel Foundation Inc. and Fred & Rita Richman in New York City.

Institution data

Metropolitan Museum of Art
The data was transferred directly by the institution.
Last updated: 2021-07-30
Language: english
Institution fieldValue
Object Number
object id
1994.329a, b
Object Sort Number
object id
1994 329a b
Primary Rendition No
object id
DT3727
Title
designation
object type
Ceremonial Sword and Sheath
Medium
material
Iron, ivory, silk, wool, cotton, yarn, leather, metal tacks, staples
Dimensions
dimensions
As Assembled: 53 x 21 x 4 1/4 in. (134.6 x 53.3 x 10.8 cm) Sword: 32 x 5 3/4 x 1 in. (81.3 x 14.6 x 2.5 cm) Sheath: 24 1/8 x 7 3/8 x 1 1/2 in. (61.3 x 18.7 x 3.8 cm)
Classification
object type
Metal-Implements
Date
date made
1856–97
Geo: City
production place
Court of Benin
Geo: Country
production place
Nigeria
Credit Line
prior source
Purchase, Rogers Fund and Frederick R. Mebel, Fred and Rita Richman, and Noah-Sadie K. Wachtel Foundation Inc. Gifts, 1994
Provenance
provenance
Court of Benin, taken from the Royal Palace in 1897 during the British military occupation of Benin; [W. D. Webster, London, until ca. 1900]; Augustus Lane-Fox Pitt-Rivers, Farnham, Dorset, U.K., ca. 1900–ca. (d.)1966; Christian Humann, New York and Bermuda, on loan to The University of Pennsylvania Museum of Archaeology and Anthropology, until (d.)1981; [Merton D. Simpson, New York, 1981–1984]; Claire and Frederick Mebel, ca. 1984–1994
Dynasty
reign associated name
Oranmiyan
Culture
ethnic attribution
Edo peoples
ExhibitionHistory
exhibition history
African Metal Implements: Weapons, Tools andRegalia Hillwood Art Museum, Long Island University,
Bibliography
bibliography
Pitt‑Rivers, Augustus Lane‑Fox. Antique Works of Art from Benin: by Augustus Pitt‑Rivers, with a new introduction by Bernard Fagg. New York: Dover Publications, 1976, pl. XXIX, figs.212, 213. Ross, Doran H. Elephant: The Animal and Its Ivory in African Culture. Los Angeles: Fowler Museum of Cultural History, 1992. Westerdijk, Peter. African Metal Implements: Weapons, Tools and Regalia: Collection of Frederick and Claire Mebel. Greenvale, NY: Hillwood Art Gallery, Greenvale, 1984, p. 17, no. 46.
Published References
bibliography
LaGamma, A. Recent Acquisitions: A Selection 1994–1995. The Metropolitan Museum of Art Bulletin, Fall 1995, New York.
Sensitive Content

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