Inventarnummer
005380
Edo designations
English designations
Relief Plaque
Fragment
Categories
Palace Architecture & Ornamentation
Location
1 Adesogbe (Plymouth) Road, P.M.B. 1115, Benin City , Edo State
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Iconographies

2 annotations
Ẹkpẹn
Leopard

The Ẹkpẹn (leopard) is an animal that appears most often among the motifs decorating the Emwin Arhe (royal treasures). The Ẹkpẹn symbolises the valour and strength of the Ọba, as well as his political authority. The Benin people eulogise the Ọba as the ‘ẹkpẹn n'owa’ (leopard of the home).

When a hunter kills a leopard, he must say “ẹkpẹn n'oha” (I killed a bush leopard), as it is taboo to say that a hunter killed a leopard without specifying that it is a bush leopard, as otherwise this would “be tantamount to symbolically killing the king” (Nevadomsky 1988, p. 81). For this reason, leopards of the bush are called Atalakpa to distinguish them from those that represent the Ọba.

1 annotation
Ẹkpẹn
Water fern
Ebe Amẹ
Water Fern

Ebe Amẹ refers to a wide variety of plants, particularly the leaves of the water fern or river leaf, found in riverine areas of southern Nigeria ( ). Artists from the Igun-Ẹrọnmwọn used these as a decorative motif in the background of most Ama-Ẹrọnmwọn (bronze relief plaques). The petals of the Ebe Amẹ, like the points of the ἀghàdàgháda (crossroads), represent the four cardinal directions: north, east, south, and west. The number four plays a foundational role in the Edo calendar, which is structured around four market days ( ).

1 annotation
Ebe Amẹ

Provenance

7 events
Production
1504 (approximate) to 1550 (approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
January 1898 to July 1898
The object is known to have come into contact with Friedrich Erdmann, in Benin City.
Transfer
July 1898 (year approximate)
The object was transferred from Friedrich Erdmann through Bey & Co. from Benin City to Hamburg.
Unknown
October 1898
The object is known to have come into contact with Heinrich Bey, Bey & Co. and the Ethnologisches Museum, Staatliche Museen zu Berlin, in Hamburg and later Berlin.
Purchase
1899
The object was purchased by the Linden-Museum Stuttgart, Staatliches Museum für Völkerkunde from Bey & Co. and Heinrich Bey through Felix Ritter von Luschan, Karl Graf von Linden and Carl Heinrich Eduard Knorr from Berlin to Stuttgart.
Restitution
December 14, 2022
The object was restituted by the Linden-Museum Stuttgart, Staatliches Museum für Völkerkunde to the Omo n'Oba n'Edo Uku Akpolokpolo, Ọba of Benin & National Commission for Museums and Monuments, Nigeria from Stuttgart to Nigeria.

Related archival documents

2 documents
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Date
Date

Institution data

Linden-Museum Stuttgart, Staatliches Museum für Völkerkunde
The data was transferred directly by the institution.
Last updated: 2021-07-01
Languages: german, english
Institution fieldValue
Inventarnummer
object id
005380
Objektbeschreibung
description
Diese Gelbguß-Platte aus dem Königspalast zeigt einen schreitenden Leoparden. Der Leopard war als "König des Waldes" eines der wichtigsten Symboltiere königlicher Macht. Gefangene Leoparden begleiteten den König (Oba) auf Prozessionen. Und nur der Oba durfte Leoparden und Elefanten seinem eigenen Kopf opfern. Text: Dietmar Neitzke.
Objektbeschreibung englisch
description
This plate from the royal palace shows a striding leopard. As the "king of the forest", the leopard was one of the most important symbolic animals of royal power. Captured leopards accompanied the king (Oba) on processions. And only the Oba was allowed to sacrifice leopards and elephants to his own head. Text: Dietmar Neitzke.
Material
material
Kupferlegierung
Material (Englischer Name)
material
Copper alloy
Technik
production technique
Wachsausschmelzverfahren
Technik (Englischer Name)
production technique
Lost wax process
Geographische Herkunft
production place
Königreich Benin
Geographische Herkunft (Englischer Name)
production place
Benin Kingdom
politische Herkunft
production place
Nigeria
Sammlung
prior source
Knorr, Karl, Heilbronn (303)
Objektgeschichte
provenance
Im Oktober 1898 bot die Hamburger Firma „H. Bey & Co“ dem Berliner Völkerkundemuseum eine Benin-Sammlung an, die direkt aus Afrika geschickt wurde. Die komplette Sammlung konnte aber auf Grund mangelnder Mittel nicht komplett gekauft werden und sollte daher auch an andere Interessenten weitervermittelt werden. Felix von Luschan vom Berliner Museum informierte daher im November 1898 Karl Graf von Linden, und bot ihm ein Vorkaufsrecht an. Das Linden-Museum stellte daraufhin 15.000 M für den Ankauf von Objekten zur Verfügung. Den Kaufpreis übernahm der Heilbronner Unternehmer Karl Knorr, weswegen die Sammlung auch als „Die Karl Knorr’sche Sammlung von Benin-Altertümern“ bekannt wurde. Von Luschan veröffentliche unter gleichem Titel (1901) eine ausführliche Beschreibung der Sammlung im Auftrag von Graf Linden und Knorr. Zu den weiteren Käufern der Sammlung gehörten unter anderem die Museen in Wien, München aber auch Personen wie Hans Meyer (Leipzig) und Eugen Rautenstrauch (Köln). Text: Markus Himmelsbach.
Objektgeschichte englisch
provenance
In October 1898, the Hamburg company "H. Bey & Co" offered the Berlin Ethnological Museum a Benin collection that came directly from Africa. However, due to a lack of funds, the entire collection could not be purchased and was therefore to be passed on to other interested parties. Felix von Luschan of the Berlin Museum therefore informed Karl Graf von Linden in November 1898, and offered him a right of first refusal. The Linden Museum then made 15,000 M available for the purchase of objects. The purchase price was paid by the Heilbronn entrepreneur Karl Knorr, which is why the collection became known as "Die Karl Knorr'sche Sammlung von Benin-Altertümern". Von Luschan published a detailed description of the collection under the same title (1901) on behalf of Count Linden and Knorr. Other buyers of the collection included the museums in Vienna and Munich, but also people such as Hans Meyer (Leipzig) and Eugen Rautenstrauch (Cologne). Text: Markus Himmelsbach.
Ethnie
ethnic attribution
Edo <E>
Eingangsdatum (Text)
accession date
1899
Objektbezeichnung Thesaurus
Relief
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here