Ėwùϙsዕtỏ is the Edo term for a long, woven garment (Ọbazee 2025, p. 144). The Osuan, the high priest of Uwen, and the Ooton may both wear the Ėwùϙsዕtỏ, making it difficult to distinguish between the two figures based on their attire alone. In depictions on Aken'ni Elao, figures identified as Ooton are more commonly represented than the Osuan specifically ( ). Both figures are also depicted holding Unwẹnrhiẹnọtan (switches) alongside the Ėwùϙsዕtỏ.

Today, neither the Osuan nor the Ooton wears the long gown, although both are associated with a distinctive hairstyle ( ). On ivory and brass Emwin Arhe (royal treasures), the Ooton or Osuan is depicted wearing the Ėwùϙsዕtỏ with his left hand placed on his chest, over a bulge beneath the gown. This bulge is understood to conceal the jawbone of the deceased Iyasẹ, which the Ooton wears. According to Barbara Blackmun ( ), because the Iyasẹ was the leader of the opposition to the Ọba, the jawbone became the “locus of the Iyasẹ’s disturbing dissent as he voices disagreement.” As a result, the Iyasẹ’s family was required to give the jawbone to members of the Ooton guild, who kept it in the royal palace.

Figures wearing a headdress with a single protrusion from the crown of the head, known as the Oro, are found only among the Ọba and a select category of palace dignitaries whose ancestors originated in ancient Ile Ife ( ; Ọbazee 2025, p. 407). Only the Osa and Osuan, custodians of the Uwen and Ora deities, as well as members of the Emuru, who are responsible for the care of Iru vessels, may wear a headdress with the Oro. The identification of different figures is therefore interpreted based on the combination of the Oro with other items of regalia. Artists in the Igun-Ẹrọnmwọn and Igbesamwan depicted figures with the Oro on Ama-Ẹrọnmwọn (bronze relief plaques) and Aken'ni Elao (carved tusks), respectively. The Oro would either be made of coral beads as part of the crown or headdress, or be woven from itoto fibre ( ).

Hairstyles are used to determine a person's status in the society, as chiefs, common folks, chief's wives and the wives of the Ọba all wear different hairstyles. We have Okuku, Ikpe~okhokho, Idu~akpata

Odigba (coral-beaded collar) is a rigid neck collar made of coral beads, worn as part of ceremonial attire only by senior princes who have been made Enigie (Inneh 2007, p. 107). Although Ibafe (2007, p. 43) argued that the Odigba was introduced during the Ogiso period (c. 900–c. 1170 AD) by Ogiso Ere, along with other symbolically important Emwin Arhe, such as the Ada (ceremonial sword) and the Ẹbẹn (ceremonial sword), this seems unlikely, as coral was only introduced in the late 15th century through trade with Portuguese merchants.