ObjectID
154352
Institution
Brooklyn Museum
Edo designations
English designations
Pendant Mask
Categories
Ceremonial Regalia
Location
200 Eastern Pkwy, Brooklyn, NY 11238, United States
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Pendant Mask
Pendant Mask
Pendant Mask

Iconographies

3 annotations
Udahae
Beaded forehead band

The Udahae is a forehead band made from coral beads and worn by chiefs. Sometimes a white Igan (feather) from the Oɛɣohɔ (vulturine fish eagle) is tucked into the left side of the Udahae. According to Benin oral tradition, the Udahae was introduced by Ọba Ezoti, the first son of Ọba Ewuare I. During his coronation, Ezoti was shot in the forehead with a poisoned arrow. To stop the bleeding, a band of red beads was wrapped around his forehead while he made public appearances. Fourteen days later, he died from his wound. Since then, Benin chiefs have worn the red-beaded Udahae around their foreheads to commemorate the cap used by Ezoti to stop the bleeding (Egharevba 1968, p. 21).

1 annotation
Udahae
Ititi ako
Star beads

The Ititi ako is a cluster of coral beads, usually three or four, attached to a pin and used to embellish the royal crowns on Uhunmwu-Elao (commemorative heads) and Uhunmwu-Ẹkuẹ (pendant masks). These bead clusters are also known as star beads, which indicate the prosperous destiny of an individual or wearer. Apart from enhancing the appearance of the wearer, they also represent the individual’s high social status. Judging from their presence on a variety of head sculptures, both men and women wore Ititi ako.

1 annotation
Ititi ako
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo

Provenance

8 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
1920s to 1939
The object is known to have come into contact with Harry Geoffrey Beasley and Irene Marguerite Beasley, later in Chislehurst.
Unknown
1931 to 1981
The object is known to have come into contact with John Wise, later in New York City.
Auction
June 29, 1987
The object was auctioned through Sotheby's in London.
Auction
May 10, 1988
The object was auctioned through Sotheby's in New York City.
Unknown
May 10, 1988 to 1993
The object is known to have come into contact with Dorothy Robbins, later in New York City.
Gift
1993
The object was given as a gift by Dorothy Robbins to the Brooklyn Museum in New York City.

Institution data

Brooklyn Museum
The data was transferred directly by the institution.
Last updated: 2021-06-30
Language: english
Institution fieldValue
ObjectID
object id
154352
Title
designation
object type
Pendant Mask (Uhunmwun-ekue)
Description
description
Human face of copper alloy, semi-circular portion above forehead lattice-like, hollow designs bordered by a wide solid band. Ears at edge of each side at forehead level. Six tear drop shaped elements across forehead. Eyes oval-shaped with slightly protruding pupils at center. Eyes rimmed with slightly raised ridge, with lightly incised horizontal lines. Nose long with pronounced nostrils. Heart shaped mouth with clearly delineated upper and lower lips. Rounded chin. Bottom of head from eye level to chin rimmed with a wide decorative band. Two loops on upper and lower inside rim. Reverse unornamented.
Medium
material
Copper alloy, iron
Dimensions
dimensions
7 3/4 × 4 5/16 × 1 3/4 in. (19.7 × 11 × 4.5 cm)
Inscriptions
inscriptions
Alpha Sort 2
date made
19th century
Begin Date
date made
1801
Geography
production place
Place made: Benin City, Royal Court of Benin, Edo State, Nigeria, Africa
Credit Line
prior source
Gift of Dorothy Robbins
Provenance
provenance
Prior to 1987, provenance not yet documented; by 1939, reportedly acquired by Harry Beasley; before 1987, reportedly acquired by John Wise, New York; June 29, 1987, Sotheby's, London, lot 184; May 10, 1988, Sotheby's, New York, lot 141; before 1993, Dorothy Robbins, New York; 1993, gift of Dorothy Robbins to the Brooklyn Museum.
Alpha Sort
ethnic attribution
Edo
Maker
ethnic attribution
Edo
Exhibition History
exhibition history
Dayton Art Institute, Dayton, OH, January 18, 2003 - January 18, 2006. Dayton Art Institute, Dayton, OH, "Looking Forward, Looking Black," July 13 - September 8, 2002. "Tradition and Transition: African Art from the Brooklyn Museum of Art." Williams College of Art, Williamstown MA. XX - Jan. 2000.
Published References
bibliography
Object Number
1993.180.15
Sort Number
1993 180 15
Sensitive Content

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