Registration number
Af1898,1025.1
Institution
British Museum
Edo designations
English designations
Odudua Mask
Categories
Ceremonial Objects
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Odudua Mask
Odudua Mask
Odudua Mask
Odudua Mask
Odudua Mask
Odudua Mask

Iconographies

2 annotations
Udahae
Beaded forehead band

The Udahae is a forehead band made from coral beads and worn by chiefs. Sometimes a white Igan (feather) from the Oɛɣohɔ (vulturine fish eagle) is tucked into the left side of the Udahae. According to Benin oral tradition, the Udahae was introduced by Ọba Ezoti, the first son of Ọba Ewuare I. During his coronation, Ezoti was shot in the forehead with a poisoned arrow. To stop the bleeding, a band of red beads was wrapped around his forehead while he made public appearances. Fourteen days later, he died from his wound. Since then, Benin chiefs have worn the red-beaded Udahae around their foreheads to commemorate the cap used by Ezoti to stop the bleeding (Egharevba 1968, p. 21).

1 annotation
Udahae
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo

Provenance

5 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by William Young from Benin Kingdom.
Purchase
October 25, 1898
The object was purchased by the British Museum from William Young with its destination in London.
Exhibition
1970 to 1973
The object was exhibited at London.
Exhibition
February 1, 1991 to April 30, 1991
The object was exhibited at Norwich.

Related archival documents

1 documents
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Date

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1898,1025.1
PRN
object id
EAF14572
Object Type
designation
helmet mask
Description
description
Odudua helmet mask; lost-wax cast in brass. In form of human head with central crest; tiered hairstyle and beaded headband. Four raised scarification marks over each eye; pupils inlaid with iron. Teeth bared. Pierced with holes around base.
Ethnic name (made by)
ethnic attribution
Edo
Date
18thC(late) (circa)
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
brass ~iron
Technique
production technique
lost-wax cast ~inlaid
Dimensions
dimensions
Height: 34.00 cm~Width: 20.00 cm~Depth: 25.00 cm~Weight: 7.00 kg
Curator’s comments
provenance
This brass helmet is used in the Ododua ritual, in honour of the father of Oranmiyan, the legendary founder of the ruling dynasty. The dance is performed by seven masqueraders who wear brass helmets and carry ceremonial swords to signify their high status. They dance back and forth before the Oba seven times as a sign of their commitment and loyalty. P. Girshick Ben-Amos, The art of Benin (London, The British Museum Press, 1995); Read & Dalton 1899: Life-sized model of the head of a in brass. The hair is cut in parallel lines, and the brows are encircled by a fillet of coral beads, to which are attached larger beads. On the top is a high crest with three groups of tubes (beads ?), and an openwork border formed of a plaited strip supporting fusiform beads. On either side of the head are four plaits and on each eyebrow four cicatrices. The pupils of the eyes are of iron.
Bibliographic references
bibliography
Read & Dalton 1899: pl X.3
Exhibition history
exhibition history
Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa 1991 Feb-Apr, Norwich, Sainsbury Centre for Visual Arts, Man and Metal in Ancient Nigeria
Condition
condition
Good.
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
William Young
Acquisition date
accession date
1898
Acquisition notes (excavation)
provenance
Looted during British to Benin City, 1897.
Sensitive Content

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