Object Number
1978.412.304
Edo designations
English designations
Leopard Figure
Categories
Altar & Shrine Objects
Heads
Location
1000 5th Ave, New York, NY 10028, United States
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Provenance

7 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
1940s to 1957
The object is known to have come into contact with Allen Alperton, in New York City.
Purchase
1957
The object was purchased by Nelson Aldrich Rockefeller from Allen Alperton in New York City.
Loan
1957 to 1964
The object was loaned by Nelson Aldrich Rockefeller to New York Museum of Primitive Arts in New York City.
Gift
1964
The object was given as a gift by Nelson Aldrich Rockefeller to New York Museum of Primitive Arts in New York City.
Transfer
1978
The object was transferred from New York Museum of Primitive Arts to the Metropolitan Museum of Art in New York City.

Institution data

Metropolitan Museum of Art
The data was transferred directly by the institution.
Last updated: 2021-07-30
Language: english
Institution fieldValue
Object Number
object id
1978.412.304
Object Sort Number
object id
1978 412 304
Primary Rendition No
object id
vs1978_412_304-d
Title
designation
object type
Figure Fragment: Leopard Head
Medium
material
Brass, pigment (?)
Dimensions
dimensions
H. 8 1/4 in. × W. 6 in. × D. 7 in. (21 × 15.2 × 17.8 cm)
Classification
object type
Metal-Sculpture
Date
date made
early 17th century (?)
Geo: City
production place
Court of Benin
Geo: Country
production place
Nigeria
Credit Line
prior source
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1964
Provenance
provenance
[Allan Alperton, Amityville, N.Y., until 1957]; Nelson A. Rockefeller, New York, on loan to The Museum of Art, New York, 1957–1964; The Museum of Art, New York, 1964–1978Court of Benin Objects in the Michael C. Rockefeller Wing, Metropolitan Museum of Art
Dynasty
reign associated name
Oranmiyan
Culture
ethnic attribution
Edo peoples
ExhibitionHistory
exhibition history
Benin Bronzes Museum of Art, May 20, 1959–September 6,1959 The Seven Metals of Africa University of Pennsylvania Museum of Archaeology and Anthropology,November 12, 1959–January 15, 1960 Cleveland Museum of Art, June 6, 1960–July 24,1960 Museum of International Folk Art, September 22, 1960–November 27,1960 Nigerian Sculpture Stadtische Galerie und Lenbach Galerie, Munich, September 1,1961–January 7, 1962 The Evolution of Afro American Artists: 18001950 City College of New York, January 1, 1967–December 31,1967 Benin Museum of Fine Arts, Houston, September 21, 1968–November 24,1968 New Orleans Museum of Art, December 15, 1968–January 15,1969 African Sculpture Hillwood Art Museum, Long Island University, February 2,1969–February 28, 1969 Art of Oceania, Africa and the Americas from The Museum of Art The Metropolitan Museum of Art, May 10, 1969–August 17,1969 The Role of the Afro American Writer in the Development ofAmerican Literature Nassau Community College, April 9, 1970–April 10,1970 The Art of Nigeria and Cameroon South Huntington Public Library, New York, February 5, 1973–March30, 1973
Bibliography
bibliography
The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Art. New York: The Metropolitan Museum of Art, 1969, no. 375.
Published References
bibliography
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here