Object Number
1977.187.35
Edo designations
English designations
Attendant Figure
Categories
Figures
Location
1000 5th Ave, New York, NY 10028, United States
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Iconographies

3 annotations
Colar Bead
Odigba
Coral beaded collar

Odigba (coral-beaded collar) is a rigid neck collar made of coral beads, worn as part of ceremonial attire only by senior princes who have been made Enigie (Inneh 2007, p. 107). Although Ibafe (2007, p. 43) argued that the Odigba was introduced during the Ogiso period (c. 900–c. 1170 AD) by Ogiso Ere, along with other symbolically important Emwin Arhe, such as the Ada (ceremonial sword) and the Ẹbẹn (ceremonial sword), this seems unlikely, as coral was only introduced in the late 15th century through trade with Portuguese merchants.

1 annotation
Odigba
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu

Provenance

5 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Purchase
1930s to 1962
The object was purchased by Mathias Komor with its destination in New York City.
Purchase
1962
The object was purchased by Alice K. Bache (born Odenheimer) from Mathias Komor and Komor Gallery in New York City.
Bequest
1977
The object was bequeathed by Alice K. Bache (born Odenheimer) to the Metropolitan Museum of Art in New York City.

Institution data

Metropolitan Museum of Art
The data was transferred directly by the institution.
Last updated: 2021-07-30
Language: english
Institution fieldValue
Object Number
object id
1977.187.35
Object Sort Number
object id
1977 187 35
Primary Rendition No
object id
1977.187.35
Title
designation
object type
Figure: Male Attendant
Medium
material
Bronze, copper
Dimensions
dimensions
H. 7 x W. 2 in. (17.8 x 5.1 cm)
Classification
object type
Metal-Sculpture
Date
date made
18th century
Geo: City
production place
Court of Benin
Geo: Country
production place
Nigeria
Credit Line
prior source
Bequest of Alice K. Bache, 1977
Provenance
provenance
[Matthias Komor, New York, until 1962]; Alice K. Bache, New York, 1962–(d.) 1977Court of Benin Objects in the Michael C. Rockefeller Wing, Metropolitan Museum of Art
Dynasty
reign associated name
Oranmiyan
Culture
ethnic attribution
Edo peoples
ExhibitionHistory
exhibition history
Bibliography
bibliography
Published References
bibliography
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here