
| Institution field | Value |
|---|---|
Inventory no. [ObjInventarNrS] object id | 25161 |
Object designation [ObjTitelOriginalS] designation object type | Figure. female |
Description [ObjReserve02M] description | 25161.Standing, fan in one hand. Naked except for waist cord. Not old, because scores of a modern file on the lips. Purchase price 35.- |
Mat./Technique [ObjTechMatM] material | Yellow cast iron; Very pure brass with extremely high zinc content, very little tin, low lead content, extremely low trace element concentrations and significantly elevated cadmium value. |
Dimensions [ObjMasse1S] dimensions | H 19.5 |
Dating [ObjDatierungS] date made | late 19th century |
Year from [ObjJahrVonL] date made | |
Year until [ObjJahrBisL] date made | |
Geographical reference [ObjGeografieS] production place | Kingdom of Benin (Africa->West Africa->Nigeria) |
Name sorting [KueSortierungS_0] prior source | Konietzko Julius |
Name sorting [KueSortierungS_1] prior source | |
First Name 2 [KueVorNameS_1] provenance | |
First name [KueVorNameS_0] provenance | Julius |
Function collector 2 [OkuFunktionS_1] provenance | |
Function collector [OkuFunktionS_0] provenance | Collector |
Inventory note [ObjFeld07M] provenance | |
Last Name 2 [KueNameS_1] provenance | |
Last name [KueNameS_0] provenance | Konietzko |
Date of acquisition[ObjFeld04M] accession date | 04.1926 |
Acquisition type [ObjFeld02M] accession method | |
Comemnts[ObjCreditlineM] notes | |
Exhibition exhibition history | |
Literature bibliography | |
Type [ObjSystematikS] | Souvenir (Art) |
Type of ownership [ObjFeld01M] | |
Type of person 2 [KueTypS_1] | |
Type of person [KueTypS_0] | Person |
| Institution field | Value |
|---|---|
Inventarnr. [ObjInventarNrS] object id | 25161 |
Beschreibung [ObjReserve02M] description | 25161. Stehend, in einer Hand Fächer. Bis auf Hüftschnur nackt. Nicht alt, da Riefen einer modernen Feile auf den Lippen. Ankaufspreis 35.- |
Mat./Technik [ObjTechMatM] material production technique | Gelbguß; Sehr reines Messing mit extrem hohem Zinkgehalt, sehr wenig Zinn, geringem Bleigehalt, extrem niedrigen Spurenelementkonzentrationen und deutlich erhöhtem Cadmiumwert |
Maßangaben [ObjMasse1S] dimensions | H 19.5 |
Gattung [ObjSystematikS] object type | Souvenir (Kunst) |
Objektbezeichnung [ObjTitelOriginalS] object type | Figur. Weiblich |
Datierung [ObjDatierungS] date made | spätes 19. Jh |
Jahr bis [ObjJahrBisL] date made | |
Jahr von [ObjJahrVonL] date made | |
Geogr. Bezug [ObjGeografieS] production place | Königtum Benin (Afrika->Westafrika->Nigeria) |
Nachname 2 [KueNameS_1] prior source | |
Nachname [KueNameS_0] prior source | Konietzko |
Namensortierung [KueSortierungS_0] prior source | Konietzko Julius |
Namenssortierung [KueSortierungS_1] prior source | |
Vorname 2 [KueVorNameS_1] prior source | |
Vorname [KueVorNameS_0] prior source | Julius |
Funktion Sammler 2 [OkuFunktionS_1] prior source role | |
Funktion Sammler [OkuFunktionS_0] prior source role | Sammler |
Erwerbsdatum [ObjFeld04M] accession date | 04.1926 |
Besitzart [ObjFeld01M] accession method | |
Erwerbungsart [ObjFeld02M] accession method | |
Bemerkungen [ObjCreditlineM] notes | |
Inventar Notiz [ObjFeld07M] notes | |
Ausstellung exhibition history | |
Literatur bibliography | |
Personentyp 2 [KueTypS_1] | |
Personentyp [KueTypS_0] | Person |
Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here