Accession Number
1989.816
Edo designations
English designations
Female Figure
Categories
Figures
Location
4000 N Michigan Rd, Indianapolis, IN 46208, United States
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Female Figure
Female Figure
Female Figure
Female Figure
Female Figure
Female Figure

Iconographies

2 annotations
Iviawẹ
Stacked Beaded Anklet

Ọba gha ye Ivie gie ọwan, ẹ ghi tama rẹn ehe nọ gha bae yi (When the Ọba gifts you a bead, he doesn’t tell you how to wear it) (Daniel Inneh, pers. comm., 27 September 2025).

Iviawẹ (also spelled ĺvîowẹ) are coral-beaded anklets, often worn stacked together (Aigbe 1985, p. 28; Okpokunu, Agbontaen-Eghafona & Ojo 2005, p. 162; Ọbazee 2025, p. 279). Many of the figures depicted on the Emwin Arhe (royal treasures) in brass, bronze, ivory, and wood are shown wearing these. According to Daniel Inneh (pers. comm., 27 September 2025), beads were sent to people whom the Ọba wished to honour, although there was no directive on how to wear them.

Mostly, people who wear Iviawẹ are identified as palace chiefs or priests and priestesses. However, today anyone can wear them as cultural identifiers or fashion pieces.

1 annotation
Iviawẹ
Àkpólú
Waist beads

Àkpólú, also spelt Àkpólo, are strings of coral beads worn around the lower waist or hips by women and girls ( ; Ọbazee 2025, p. 23). Before colonial rule in the Benin Kingdom, children were traditionally not permitted to wear clothing until the Ọba gave them cloth to wear; the Àkpólú was an exception to this practice, allowing children to wear these coral bead strands around the waist ( ).

1 annotation
Àkpólú

Provenance

6 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igbesamwan guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to 1900
The object is known to have come into contact with Augustus Henry Pitt-Rivers (Lane Fox), later in Farnham.
Unknown
1980 (approximate) to October 25, 1984
The object is known to have come into contact with Thomas Slater, later in Indianapolis.
Purchase
October 25, 1984
The object was purchased by Edith Morgan & Harrison Eiteljorg from Thomas Slater in Indianapolis.
Gift
1989
The object was given as a gift by Edith Morgan & Harrison Eiteljorg to the Indianapolis Museum of Art at Newfields in Indianapolis.

Institution data

Indianapolis Museum of Art at Newfields
The data was transferred directly by the institution.
Last updated: 2021-04-17
Language: english
Institution fieldValue
Accession Number
object id
1989.816
Previous Number(s)
object id
TR6937/655 | E84.57
Title
designation
female figure
Object Label
description
The clay covering is then heated to remove the wax, hence the term 'lost-wax.' Molten brass is poured into the empty space once occupied by the wax.  The clay mold is plunged into water and broken open.  The brass casting is then removed and its surface is cleaned.
Materials
material
ivory, coconut shell
Medium
material
coconut shell
Dimensions
dimensions
10-7/8 in.
Object Type
object type
ceremonial objects, sculptures, figures
Date Created
date made
1850-1897
Creation Location
production place
Nigeria
Credit Line
prior source
Gift of Mr. and Mrs. Harrison Eiteljorg
Provenance
provenance
(Thomas Slater, Indianapolis, Indiana) sold on 25 October 1984 to Harrison Eiteljorg [1903-1997] of Indianapolis, Indiana; given to the Indianapolis Museum of Art at Newfields in 1989.
Culture or People
ethnic attribution
Benin Kingdom, Edo people
Accession Date
accession date
1990-01-18
Exhbitions
exhibition history
Rights
license
Public Domain
URL
weblink
http://collection.imamuseum.org/artwork/28966/
Number of Parts
1
Support
ivory
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here