Object ID
312536
English designations
Horse Rider Figure
Categories
Contextual Objects: Beyond Benin
Location
1000 5th Ave, New York, NY 10028, United States
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Iconographies

2 annotations
Iviawẹ
Stacked Beaded Anklet

Ọba gha ye Ivie gie ọwan, ẹ ghi tama rẹn ehe nọ gha bae yi (When the Ọba gifts you a bead, he doesn’t tell you how to wear it) (Daniel Inneh, pers. comm., 27 September 2025).

Iviawẹ (also spelled ĺvîowẹ) are coral-beaded anklets, often worn stacked together (Aigbe 1985, p. 28; Okpokunu, Agbontaen-Eghafona & Ojo 2005, p. 162; Ọbazee 2025, p. 279). Many of the figures depicted on the Emwin Arhe (royal treasures) in brass, bronze, ivory, and wood are shown wearing these. According to Daniel Inneh (pers. comm., 27 September 2025), beads were sent to people whom the Ọba wished to honour, although there was no directive on how to wear them.

Mostly, people who wear Iviawẹ are identified as palace chiefs or priests and priestesses. However, today anyone can wear them as cultural identifiers or fashion pieces.

1 annotation
Iviawẹ
Ọyanyan
Horse

Ọyanyan (horses), along with their riders, are significant motifs in the visual language of the Emwin Arhe (royal treasures), appearing across various media and periods. Although the Benin Kingdom lies in the tropical region of West Africa affected by the tsetse fly, according to oral tradition, a small, stocky breed of horses introduced via trade routes from Nupe and Hausa was known in the kingdom from the 13th century (Dolz in Plankensteiner 2007, cat. no. 215, p. 434).

In 1505, King Manuel of Portugal sent a horse, alongside other luxurious gifts such as satin and Indian silk, to one of the Ọbas, most likely Ẹsigie, as a gift (Ryder 1969, p. 41). An account believed to have been written by the Dutch traveller Dierick Ruiters in 1602 described how he travelled from the port of Ughoton to Benin City on horseback (Blackmun in Plankensteiner 2007, cat. no. 138, p. 367). In the same account, Ruiters also described how the Ọba and his courtiers rode on horseback as part of ceremonial processions (Blackmun in Plankensteiner 2007, cat. no. 221, p. 441). A scene of this kind is also featured in the view of the city of Benin in Olfert Dapper’s Description of Africa (1668).

Ọyanyan therefore embody themes relating to military power, foreign interaction, and royal authority (Nevadomsky 1986), as well as “dignity and achievement” (Curnow in Plankensteiner 2007, cat. no. 115, p. 351).

1 annotation
Ọyanyan

Provenance

8 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced in Edo State.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Inheritance
February 22, 1897 (year approximate) to July 14, 1970
The object was inherited by Isaacs (Jr.) from Isaacs (Sr.) with its destination in Liverpool.
Auction
July 14, 1970
The object was auctioned to H. Garialde through Sotheby's in London.
Unknown
1970
The object is known to have come into contact with Judith Small Nash, later in Woodstock.
Purchase
1970
The object was purchased by Nelson Aldrich Rockefeller from Judith Small Nash Gallery and Judith Small Nash from Woodstock to New York City.
Loan
1970 to 1978
The object was loaned by Nelson Aldrich Rockefeller to New York Museum of Primitive Arts in New York City.
Bequest
1979
The object was bequeathed by Nelson Aldrich Rockefeller to the Metropolitan Museum of Art in New York City.

Institution data

Metropolitan Museum of Art
The data was downloaded via a public data access of the institution.
Last updated: 2025-06-02
Language: english
Institution fieldValue
Is Highlight
False
Is Timeline Work
False
Is Public Domain
license
True
Object ID
object id
312536
Department
department and institution
Arts of Africa, Oceania, and the Americas
AccessionYear
accession date
1979
Object Name
object type
Figure
Title
designation
Figure: Equestrian
Culture
ethnic attribution
Lower Niger Bronze Industry
Object Date
date made
15th–19th century
Object Begin Date
date made
1400
Object End Date
date made
1897
Medium
material
Brass (cast)
Dimensions
dimensions
H. 10 1/8 in. × W. 5 3/8 in. × D. 11 in. (25.7 × 13.7 × 27.9 cm)
Credit Line
prior source
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Country
production place
Nigeria
River
place collected
Lower Niger River region
Classification
object type
Metal-Sculpture
Link Resource
weblink
http://www.metmuseum.org/art/collection/search/312536
Repository
department and institution
Metropolitan Museum of Art, New York, NY
Tags
iconography
Men|Horses
Tags AAT URL
iconography
http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300250148
Tags Wikidata URL
iconography
https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q726
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here