| Institution field | Value |
|---|---|
Registration number object id | Af1898,0115.6 |
Additional IDs object id | 294 (Foreign Office number) |
PRN object id | EAF26472 |
Object Type designation | plaque |
Description description | Relief plaque, lost-wax cast in brass. Narrow plaque, rectangular in form without side flanges. Background surface decorated with river leaf patterns and stippling. Depicts standing European (Portuguese) figure with long hair, holding a gun upright in left hand; crossguard sword in scabbard on left hip attached to baldric across chest. Figure wears brimmed helmet. Dressed in sleeveless doublet with short-sleeved patterned tunic below; knee-length pleated patterned 'skirt' and long decorated breeches. |
Ethnic name (made by) ethnic attribution | Edo |
Date | 16thC-17thC |
Production place production place | Made in: Benin City |
Findspot place collected | Found/Acquired: Benin City |
Materials material | brass |
Technique production technique | lost-wax cast |
Dimensions dimensions | Height: 40.00 cm~Width: 20.00 cm~Depth: 6.80 cm~Weight: 3.10 kg |
Curator’s comments provenance | The relief brass plaques that used to decorate the Oba's (king's) palace are among the most well-known of all the royal arts of Benin. Although frequently described as 'Benin Bronzes' most plaques are made of leaded brass in various compositions. It is widely accepted that they date to the 16th-17th centuries. In the years prior to the British Expedition royal influence in Benin was increasingly under threat from rival powers, both internal and external, with a focus on economic power and control of the important trading monopolies. However, the court and palace remained the political and spiritual centre of the Benin Kingdom. Earlier accounts written by Europeans visiting the city describe its size and scale. The palace complex was set up around atrium courtyards; some had galleries with wooden pillars supporting the roof. Brass plaques, probably made in matching pairs, were fixed to these pillars. The Benin brass plaques represent a distinct and unique corpus of work, unparalleled elsewhere on the continent. They are cast using the cire perdue (lost wax) technique and show significant variation in the depth of the relief. Some of the plaques portray historical events or commemorate successful wars, while others are a vivid depiction of Benin court life and ritual. Several groups of plaques show clear stylistic similarities. William B. Fagg suggested that these plaques represent the work of master brass casters. Fagg, William, 1973, 'Nigerian Images', London: Lund Humphries Gunsch, Kathryn, 2018, 'Benin plaques: a 16th century imperial monument', London: Routledge, Taylor and Francis Group ; Read & Dalton 1899: European figure without a beard, wearing a round hat with brim, and dressed like Af1898.0115.5, except that he has no buttons on his coat. On his left shoulder he holds a matchlock, the match of which is wound round the left wrist, the end being held in the right hand. A baldric supports his sword, the hilt of which is elaborately constructed, but differs in type from the preceding examples. |
Bibliographic references bibliography | Read & Dalton 1899: pl XII.6 |
Exhibition history exhibition history | Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa |
Condition condition | Fair; top edge and right corner missing. Large sections missing from bottom edge and right and left sides. Hole in figure's chest. |
Subjects iconography | european ~palace/mansion ~arms/armour |
Associated events event | Associated Event: British Expedition to Benin City - Feb 1897 |
Acquisition name (acquisition) provenance | Secretary of State for Foreign Affairs |
Acquisition date accession date | 1898 |
Acquisition notes (excavation) provenance | This plaque was looted during the British Expedition to Benin City in 1897. |
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