Reg No.
RAF 609
Edo designations
English designations
Bird of Prophecy Staff
Categories
Musical Instruments
Ceremonial Objects
Staffs
Location
Gablerstrasse 15, 8002 Zürich, Switzerland
Loading...
Bird of Prophecy Staff
Bird of Prophecy Staff

Iconographies

1 annotations
Ahianmwẹ-Ọrọ
Bird of Prophecy

The Ahianmwẹ-Ọrọ, meaning ‘bird of prophecy’ in English, is a bird with a long beak believed to be a messenger of the spirit world. If it cries ‘OyaO’ (disgrace), it portends danger or disaster. If it cries ‘Oliguegue’ (be grateful), it portends good favour, fortune, or luck. If it persistently cries ‘OyaO, OyaO’ in front of someone, it is prophesying that the person should be cautious and should not undertake a journey, or should return home rather than continue. But if the bird cries ‘Oliguegue’ continuously, the journey will be favourable.

In 1515, as Ọba Ẹsigie passed through the gates of Benin on his way to fight the Attah (king) of Idah, the Ahianmwẹ-Ọrọ made discouraging sounds overhead, ‘OyaO, OyaO’, portending that disaster lay ahead. The Ọba ordered the bird to be killed and went on to win the war. He said, ‘Nẹ O gha yin Agbon, ghẹi daho Ahianmwẹ notiẹ oya’ (whoever wishes to succeed in life should not heed the bird of prophecy). On the Ọba’s triumphant return from battle, he commissioned the Igun-Eronmwon to make an image of the bird on the finial of a battle standard to remind it that the Ọba was not subject to the fate of ordinary spirits (personal communication, Patrick Oronsaye, 2022).

The identification of which bird the Ahianmwẹ-Ọrọ represents has been a subject of scholarly debate throughout the 20th century. Some have suggested that the bird is an African pied wagtail (Melzian 1937, p. 5), an ibis (Dark 1962, p. 46), possibly a kind of kingfisher (Ben-Amos 1976, p. 252), a hornbill (McCall 1975, p. 293), or, lastly, a white-tailed ant thrush (Nevadomsky 1988, pp. 76–77). In the case of the Ahianmwẹ-Ọrọ, however, Joseph Nevadomsky (1988, p. 77) posited that the exact species being represented was in fact less important. Instead, the aim was to “convey certain notions about the supernatural powers of the Ọba” and that the physical attribute (e.g., the long beak) was in fact the Ọba Ẹsigie’s casters’ way of seeking to “emphasise its vocal powers of prophecy, and, perhaps more importantly, the overcoming of these powers by the Ọba.”

1 annotation
Ahianmwẹ-Ọrọ

Provenance

6 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
1910s to 1928
The object is known to have come into contact with Han Coray, later in Agnuzzo.
Inheritance
1974 (approximate)
The object was inherited by Hans Coray from Han Coray from Agnuzzo to Zurich.
Unknown
1985
The object is known to have come into contact with Hans W. Kopp, later in Zumikon.
Purchase
January 2001
The object was purchased by the Museum Rietberg Zürich from Hans W. Kopp from Zumikon to Zurich.

Related archival documents

4 documents
See all
Date
Date

Institution data

Museum Rietberg Zürich
The data was transferred directly through the Swiss Benin Initiative.
Last updated: 2022-07-04
Language: english
Institution fieldValue
Reg No.
object id
RAF 609
Object name and materials
designation
Staff showing a bird of prophesy
Material
material
brass
Dimension/s
dimensions
H. 32.5 cm W. 8.3 cm D. 9.6 cm
Provisional dating
date made
19th century
Creditline
prior source
Purchased from: Hans W. Kopp
Provenances
provenance
19th century commissioned from the Royal Bronze-casting Guild (Igun Eronmwon) by the Royal Palace of Benin (?); by descent to Oba Ovonramwen (Ovonramwen Nogbaisi, b. about 1857 - d. about 1914; r. 1888 - 1897) (?); 1897, looted from the Royal Palace during the British military occupation of Benin; [...]; before 1928 - ca. 1974, Han Coray (collector, Agnuzzo); ca. 1974 - 1985, Hans Coray, (Zürich); 1985-2001, Hans W. Kopp, Zumikon, 2001 purchased by the Museum Rietberg, Zürich
Institution
department and institution
MRZ Museum Rietberg Zürich
Institution acquisition date
accession date
January 2001
Additional IDs
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here