Reg No.
RAF 604
Edo designations
English designations
Pendant Mask
Categories
Ceremonial Regalia
Location
Gablerstrasse 15, 8002 Zürich, Switzerland
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Pendant Mask
Pendant Mask
Pendant Mask

Iconographies

3 annotations
Ititi ako
Star beads

The Ititi ako is a cluster of coral beads, usually three or four, attached to a pin and used to embellish the royal crowns on Uhunmwu-Elao (commemorative heads) and Uhunmwu-Ẹkuẹ (pendant masks). These bead clusters are also known as star beads, which indicate the prosperous destiny of an individual or wearer. Apart from enhancing the appearance of the wearer, they also represent the individual’s high social status. Judging from their presence on a variety of head sculptures, both men and women wore Ititi ako.

1 annotation
Ititi ako
Udahae
Beaded forehead band

The Udahae is a forehead band made from coral beads and worn by chiefs. Sometimes a white Igan (feather) from the Oɛɣohɔ (vulturine fish eagle) is tucked into the left side of the Udahae. According to Benin oral tradition, the Udahae was introduced by Ọba Ezoti, the first son of Ọba Ewuare I. During his coronation, Ezoti was shot in the forehead with a poisoned arrow. To stop the bleeding, a band of red beads was wrapped around his forehead while he made public appearances. Fourteen days later, he died from his wound. Since then, Benin chiefs have worn the red-beaded Udahae around their foreheads to commemorate the cap used by Ezoti to stop the bleeding (Egharevba 1968, p. 21).

1 annotation
Udahae
Ewi
Mudfish

Depictions of Ewi (mudfish) are among the most frequent motifs in the Emwin Arhe (royal treasures). Mudfish hold an important place in Edo belief, both as representations of the god Olokun and as symbols of royalty (Plankensteiner 2007, p. 410), as well as of “prosperity, peace, well-being and fertility” (Ben-Amos 1976, p. 245). Mudfish are also particularly common animals for sacrifice, and mudfish-shaped Orhiẹvbẹ (kola-nut boxes) were used to make offerings or store kola nuts.

Yet, the appearance of Ewi across the Emwin Arhe is not consistent, and it has been argued that different species of mudfish were depicted by Edo artists, each with different qualities and capabilities. For example, the electric shock of Malapterurus electricus resembles the fierceness of the Ọba, while the liminal qualities of the Synodontis clarias mudfish, which lives both on land and in water, similarly reflect the Ọba’s rule over land and sea (Gallagher 1983, p. 93). With these different qualities in mind, the mudfish is an important symbol of Benin kingship and royalty.

Sometimes the Ọba was depicted by artists with mudfish rather than legs (see Ọba with Mudfish Legs).

1 annotation
Ewi

Provenance

7 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
1910s to 1931
The object is known to have come into contact with Han Coray, later in Agnuzzo.
Transfer
1931
The object was transferred from Han Coray to Zürich Schweizerische Volksbank from Agnuzzo to Switzerland.
Transfer
1940
The object was transferred from Zürich Schweizerische Volksbank to Völkerkundemuseum der Universität Zürich from Switzerland to Zurich.
Transfer
1940
The object was transferred to Kunstgewerbemuseum in Zurich.
Transfer
1961
The object was transferred from Kunstgewerbemuseum to the Museum Rietberg Zürich in Zurich.

Related archival documents

4 documents
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Date

Institution data

Museum Rietberg Zürich
The data was transferred directly through the Swiss Benin Initiative.
Last updated: 2022-07-04
Language: english
Institution fieldValue
Reg No.
object id
RAF 604
Object name and materials
designation
Hip ornament
Material
material
brass
Dimension/s
dimensions
H. 17.7 cm W. 12.2 cm D. 5.7 cm
Provisional dating
date made
18th/19th century
Creditline
prior source
Transfer from: the Kunstgewerbemuseum Zürich
Provenances
provenance
19th century, possibly commissioned from the Royal Bronze-casting Guild (Igun Eronmwon) by the Royal Palace of Benin; possibly by descent to Oba Ovonramwen (Ovonramwen Nogbaisi, b. about 1857 - d. about 1914; r. 1888 - 1897); 1897, probably looted from the Royal Palace during the British military occupation of Benin; [...]; until 1931 Han Coray (Reg.No.: BM8) (collector, Agnuzzo) ; 1931-1940, Schweizerische Volksbank; 1940, Völkerkundemuseum der Universität Zürich; 1940 - 1961 Kunstgewerbemuseum Zürich; 1961, transfered to the Museum Rietberg Zürich
Institution
department and institution
MRZ Museum Rietberg Zürich
Institution acquisition date
accession date
1961
Additional IDs
BM 8 (Coray-Nummer)
Sensitive Content

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