Catalogue No.
EA1976.775
Institution
Canterbury Museum
Edo designations
English designations
Bird of Prophecy Staff
Bird of Prophecy Figure
Categories
Musical Instruments
Ceremonial Objects
Staffs
Location
11 Rolleston Avenue, Christchurch Central City, Christchurch 8013, New Zealand
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Bird of Prophecy Staff
Bird of Prophecy Staff
Bird of Prophecy Staff
Bird of Prophecy Staff

Iconographies

1 annotations
Ahianmwẹ-Ọrọ
Bird of Prophecy

The Ahianmwẹ-Ọrọ, meaning ‘bird of prophecy’ in English, is a bird with a long beak believed to be a messenger of the spirit world. If it cries ‘OyaO’ (disgrace), it portends danger or disaster. If it cries ‘Oliguegue’ (be grateful), it portends good favour, fortune, or luck. If it persistently cries ‘OyaO, OyaO’ in front of someone, it is prophesying that the person should be cautious and should not undertake a journey, or should return home rather than continue. But if the bird cries ‘Oliguegue’ continuously, the journey will be favourable.

In 1515, as Ọba Ẹsigie passed through the gates of Benin on his way to fight the Attah (king) of Idah, the Ahianmwẹ-Ọrọ made discouraging sounds overhead, ‘OyaO, OyaO’, portending that disaster lay ahead. The Ọba ordered the bird to be killed and went on to win the war. He said, ‘Nẹ O gha yin Agbon, ghẹi daho Ahianmwẹ notiẹ oya’ (whoever wishes to succeed in life should not heed the bird of prophecy). On the Ọba’s triumphant return from battle, he commissioned the Igun-Eronmwon to make an image of the bird on the finial of a battle standard to remind it that the Ọba was not subject to the fate of ordinary spirits (personal communication, Patrick Oronsaye, 2022).

The identification of which bird the Ahianmwẹ-Ọrọ represents has been a subject of scholarly debate throughout the 20th century. Some have suggested that the bird is an African pied wagtail (Melzian 1937, p. 5), an ibis (Dark 1962, p. 46), possibly a kind of kingfisher (Ben-Amos 1976, p. 252), a hornbill (McCall 1975, p. 293), or, lastly, a white-tailed ant thrush (Nevadomsky 1988, pp. 76–77). In the case of the Ahianmwẹ-Ọrọ, however, Joseph Nevadomsky (1988, p. 77) posited that the exact species being represented was in fact less important. Instead, the aim was to “convey certain notions about the supernatural powers of the Ọba” and that the physical attribute (e.g., the long beak) was in fact the Ọba Ẹsigie’s casters’ way of seeking to “emphasise its vocal powers of prophecy, and, perhaps more importantly, the overcoming of these powers by the Ọba.”

1 annotation
Ahianmwẹ-Ọrọ

Provenance

4 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to August 30, 1898
The object is known to have come into contact with William Downing Webster, later in Bicester.
Purchase
August 30, 1898
The object was purchased by the Canterbury Museum from William Downing Webster from London to Christchurch.

Institution data

Canterbury Museum
The data was transferred directly by the institution.
Last updated: 2021-12-07
Language: english
Institution fieldValue
Accession No
object id
Catalogue No.
object id
EA1976.775
Old Accession No.
object id
Other Id
object id
EA1976.775, E1698.0, 3797
Primary Number
object id
EA1976.775
Brief Description
description
Bronze bird with outstretched wings and a long beak, a fragment from a staff representing the 'bird of prophecy' with a kola nut in its beak. Although recorded as an emblem from a chief's staff it was more likely to have once been part of a ritual item frequently referred to as a 'clapper'. These staffs commemorate a legend relating to Oba Esigie who reigned in the early sixteenth century. A bird of prophecy is said to have warned against going to war, the oba killed the bird and went on to victory and is said to have admonished his troops with the words, "Whoever wishes to succeed in life should not heed the bird that cries disaster"
Media Materials
material
Bronze
Measurement Notes Y N display
dimensions
Measurement Precision Y N display
dimensions
Measurement Reading primary system Y display only
dimensions
Measurement Reading secondary system Y display only
dimensions
Measurement Type Y display only
dimensions
Name Title
object type
Staff, bird
Item Count
object count
1
Primary Prod Date
date made
Primary Prod Date Notes
date made
Primary Prod Place
production place
Benin City/Nigeria/Africa
Acquisition Source Role
prior source role
Vendor
Acq Source Report
provenance
Websters
Acquisition Notes
provenance
London auction.
Acquisition Source
provenance
Websters
Donor report
provenance
Websters
Provenance Notes
provenance
Accession Date
accession date
30 August 1898
Acquisition Date
accession date
30 August 1898
Acquisition Method
accession method
Purchase
Associated Notes
notes
Production Notes
notes
Related Outward Loan
exhibition history
Documentation Article
bibliography
Roger Fyfe and Sarah Murray. “Benin Art in Canterbury Museum”. Records of the Canterbury Museum. Vol 28, 2014. Pg 7- 30.
Condition Date
condition
Condition Keyword
condition
Condition Notes
condition
Condition Part
condition
Condition Person
condition
Current Condition
condition
Current Condition Date
condition
Current Condition Description
condition
Current Condition Part
condition
Current Condition Person
condition
Image Publication Status
images
Has image(s)
Image Ref - Full path
images
\\cm-fp4\vernon images\Collection Images\Catalogue Numbers\EA nos\EA1976.775 Bird front.jpg, \\cm-fp4\vernon images\Collection Images\Catalogue Numbers\EA nos\EA1976.775 Bird profile.jpg, \\cm-fp4\vernon images\Collection Images\Catalogue Numbers\EA nos\EA1976.775 Bird side.jpg, \\cm-fp4\vernon images\Collection Images\Catalogue Numbers\EA nos\EA1976.775 Bird back.jpg, \\cm-fp4\vernon images\Collection Images\1971 - 1980\1976\ea1976_775_benin.jpg
Image Ref - Relative path
images
Catalogue Numbers\EA nos\EA1976.775 Bird front.jpg, Catalogue Numbers\EA nos\EA1976.775 Bird profile.jpg, Catalogue Numbers\EA nos\EA1976.775 Bird side.jpg, Catalogue Numbers\EA nos\EA1976.775 Bird back.jpg, 1971 - 1980\1976\ea1976_775_benin.jpg
Photo Audio-Visual Ref
images
Catalogue Numbers\EA nos\EA1976.775 Bird front.jpg (Image (Electronic)), Catalogue Numbers\EA nos\EA1976.775 Bird profile.jpg (Image (Electronic)), Catalogue Numbers\EA nos\EA1976.775 Bird side.jpg (Image (Electronic)), Catalogue Numbers\EA nos\EA1976.775 Bird back.jpg (Image (Electronic)), 1971 - 1980\1976\ea1976_775_benin.jpg (Image (Electronic))
Primary Image
images
\\cm-fp4\vernon images\Collection Images\Catalogue Numbers\EA nos\EA1976.775 Bird front.jpg
Cataloguer
Paul Hobson, Miss Natasha Carson
Classification
Personal Gear
Collecting Unit
Anthropology/Foreign
Curator
Curator Comments Date
Curator Comments Remarks
Current
Date Catalogued
26 June 2008, 23 March 2004
Loan In Details
Loan Out Details
Location General Notes
Other Id Notes
Other Id Type
Catalogue Number, Card Number, Other Number
Procedural Status
Catalogued
Record Created Date
23-Mar-04
System ID
229617
Treatment Date
Treatment Keyword
Treatment Notes
Treatment Part
Treatment Person
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here