Provenance

5 events

Production

unknown to February 22, 1897 (day approximate)

The object was produced in Benin City.

Looted

February 22, 1897 (day approximate) to June 1899 (year approximate)

The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.

Unknown

February 22, 1897 (year approximate) to 1898

The object is known to have come into contact with the MKG Museum fur Kunst und Gewerbe, later in Hamburg.

Purchase

1898

The object was purchased by the MARKK Museum am Rothenbaum Kulturen und Künste der Welt from the MKG Museum fur Kunst und Gewerbe through Justus Brinckmann with its destination in Hamburg.

Restitution

December 16, 2022

The object was restituted by the MARKK Museum am Rothenbaum Kulturen und Künste der Welt to the Omo n'Oba n'Edo Uku Akpolokpolo, Ọba of Benin & National Commission for Museums and Monuments, Nigeria through Carsten Brosda, S.E. Yusuf Maitama Tuggar, Abba Isa Tijani and Barbara Plankensteiner from Hamburg to Nigeria.

Institution data

MARKK Museum am Rothenbaum Kulturen und Künste der Welt

The data was transferred directly by the institution.

Last updated: 2022-06-10

Languages: german, english

Institution field	Value
Identifikationsnummer object id	C 2312
Titel designation	Trommel
Materialien material	ORGANISCH/ PFLANZLICH/Holz; ORGANISCH/ TIERISCH/Haut
Heutiges Staatsgebiet des Herstellungsortes production place	Afrika/Westafrika/Nigeria/Benin-Reich
Provenienz/Name prior source provenance	Brinckmann
Provenienz Objektitinerar Akteure Orte Daten provenance	Museum für Kunst und Gewerbe Hamburg
Provenienz/Affiliation provenance	Museum für Kunst und Gewerbe Hamburg
Provenienz/Country provenance	Germany
Provenienz/Date of Birth provenance	23.5.1843
Provenienz/Date of Death provenance	08.02.1915
Provenienz/First Name provenance	Justus
Provenienz/No provenance	6
Provenienz/Place of Birth provenance	Hamburg
Provenienz/Place of Death provenance	Hamburg
Provenienz/Profession provenance	Art Historian, Museum Director
Provenienz/Role-Function/0 provenance	Intermediary
Provenienz/Role-Function/1 provenance
Provenienz/Sex provenance	male
Provenienz/Short Biography provenance	Justus Brinckmann (1843-1915) was the first director of the Museum für Kunst und Gewerbe in Hamburg and in 1874 was the leading figure in its foundation.
Provenienz/Street provenance	Steintorplatz 1
Provenienz/Town provenance	Hamburg
Hersteller kulturhist. Herkunftsgesellschaft ethnic attribution	--/Edo ?
Heutiger Aufbewahrungsort Sammlung department and institution	Museum am Rothenbaum. Kulturen und Künste der Welt (MARKK)
Akquisitionsdatum accession date	1898
Alte Inventarnummer
Inventurdatum	10.11.2009
Label Text (deu)	Trommeln Unbekannte Werkstatt, Königreich Benin, Nigeria, 19. Jh. / Holz, Tierhaut / Ankauf vom Museum für Kunst und Gewerbe Hamburg, 1898, Inv. Nr. C 2312 Trommler sind Angehörige einer Gilde der Palastgesellschaft Iwebo. Sie treten bei der Einsetzung von Amtsträgern und bei Palastzeremonien auf. Das Fell der Trommeln mit Schnurbespannung wird mittels Stiften justiert, wofür stets eine Hilfsperson notwendig ist. Auf Kriegszügen wurden kleinere Handtrommeln mitgeführt und geschlagen, um die Soldaten anzutreiben und die Feinde einzuschüchtern.
Label Text (eng)	Drums Unidentified workshop, Benin Kingdom, Nigeria, 19th century / Wood, animal skin / Acquired from the Museum für Kunst und Gewerbe Hamburg, 1898, Inv. no. 2312 Drummers are members of a guild pertaining to the Iwebo palace society. They perform at the installation of officials and at palace ceremonies. The skin of the drums is fastened with strings, their adjustment with pins requires the help of an assistant. Smaller hand drums were carried on war campaigns and were beaten to animate the soldiers and intimidate the enemy.
Maße	Breite: 22,00 cm; Höhe: 49,00 cm; Tiefe: 32,00 cm

Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here