| Institution field | Value |
|---|---|
Object Number object id | A213 |
Title designation | Hip Ornament or Pendant |
Description description | A small mask with large eyes, nose, and mouth, rings around the chin line and a headdress with a diamond pattern. |
Medium material | Copper alloy |
Dimensions dimensions | Overall: 4 3/4 x 3 1/4 x 1 7/8 in. (12.1 x 8.3 x 4.8 cm) Overall (with mount): 6 15/16 x 3 1/4 x 2 7/8 in. (17.6 x 8.3 x 7.3 cm) Mount: 6 7/16 x 3 x 2 9/16 in. (16.4 x 7.6 x 6.5 cm) |
Classification object type | Jewelry |
Object Name object type | Pendants |
Mark(s) inscriptions | Inscribed in black crayon or graphite on bottom of mount: "18 [or possibly 81]"; Inagaki seal impressed on back of vertical support of mount |
Dated date made | 19th–early 20th century |
Place made production place | Benin City, Nigeria, Africa |
Provenance prior source | Purchased by Albert C. Barnes from Paul Guillaume, Paris, December 1922 |
Culture ethnic attribution | Edo |
Department department and institution | Gallery |
Curatorial Remarks notes | This type of "mask" was actually designed to be worn at the waist as part of the regalia of a Benin king. Early examples of the genre, of which four exist, are carved in ivory and depicted Queen Mother Idia. This example, cast in copper alloy, takes the form of a face with a headdress decorated with coral beads and an openwork beard. It appears to be a later example, possibly post-1897 (the date of the British Punitive Expedition that sacked Benin). (Dr. Christa Clarke, March 2003) |
Exhibition History exhibition history | |
Bibliography bibliography | Clarke, Christa. African Art in the Barnes Foundation: The Triumph of L'Art redacted e and the Harlem Renaissance. New York: Skira Rizzoli, 2015, 180, 182, pl. 33a. Guillaume, Paul and Thomas Munro. Primitive redacted Sculpture. New York: Harcourt, Brace & Company, 1926, pl. 38 "Benin mask, XVth century." Medgyes, Ladislas. "The Art of the African redacted ." International Studio. (November 1922): 145 "A mask in black bronze from Benin (collection Bela Hein)." |
Published References bibliography | President's Files, receipt from Paul Guillaume, December 1922, no. 18 "Petit masque Bénin" (AR.ABC.1922.70) |
Attribution | Unidentified artist |
| Institution field | Value |
|---|---|
Accession Number object id | A213 |
Title designation | Hip Ornament or Pendant |
Long Description description | |
Sort Description description | |
Medium material | Copper alloy |
Dimensions dimensions | Overall: 4 3/4 x 3 1/4 x 1 7/8 in. (12.1 x 8.3 x 4.8 cm)Overall (with mount): 6 15/16 x 3 1/4 x 2 7/8 in. (17.6 x 8.3 x 7.3 cm)Mount: 6 7/16 x 3 x 2 9/16 in. (16.4 x 7.6 x 6.5 cm) |
Year date made | 19th–early 20th century |
Artist producer | Unidentified artist |
Culture ethnic attribution | Edo |
Exhibition History exhibition history | |
Location display status | Off View |
Viewing Status display status | Currently not on view |
Bibliography bibliography | Clarke, Christa. African Art in the Barnes Foundation: The Triumph of L'Art redacted e and the Harlem Renaissance. New York: Skira Rizzoli, 2015, 180, 182, pl. 33a. Guillaume, Paul and Thomas Munro. Primitive redacted Sculpture. New York: Harcourt, Brace & Company, 1926, pl. 38 "Benin mask, XVth century." Medgyes, Ladislas. "The Art of the African redacted ." International Studio. (November 1922): 145 "A mask in black bronze from Benin (collection Bela Hein)." |
Copyright Status license | Copyright Undetermined |
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