Object number
AE:1898.191
Edo designations
English designations
Fragment
Altar Tableau
Female Figure
Categories
Altar & Shrine Objects
Figures
Location
Kildare St, Dublin 2, Ireland
Loading...
Fragment
Fragment

Iconographies

3 annotations
Ukpan obọ eva
Crossed Beaded Baldrics

The Ukpan obọ eva (coral-bead crossed baldrics) were worn as part of the ehaingbehia, the full ceremonial regalia, by only high-ranking members of the palace, including the Ọba himself, the Iy’Ọba, the Edaiken, and the Ezọmọ (Ben-Amos 1999, pp. 68, 141; Osadolor in Plankensteiner 2007, cat. no. 70, pp. 322–323).

1 annotation
Ukpan obọ eva
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu
Colar Bead
Odigba
Coral beaded collar

Odigba (coral-beaded collar) is a rigid neck collar made of coral beads, worn as part of ceremonial attire only by senior princes who have been made Enigie (Inneh 2007, p. 107). Although Ibafe (2007, p. 43) argued that the Odigba was introduced during the Ogiso period (c. 900–c. 1170 AD) by Ogiso Ere, along with other symbolically important Emwin Arhe, such as the Ada (ceremonial sword) and the Ẹbẹn (ceremonial sword), this seems unlikely, as coral was only introduced in the late 15th century through trade with Portuguese merchants.

1 annotation
Odigba

Provenance

4 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by February 1897 Unknown member of the British colonial military campaign on Benin from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to 1898
The object is known to have come into contact with William Downing Webster, later in Bicester.
Purchase
1898
The object was purchased by the National Museum of Ireland from William Downing Webster from Bicester to Dublin.

Institution data

National Museum of Ireland
The data was transferred directly by the institution.
Last updated: 2022-07-13
Language: english
Institution fieldValue
Object number
object id
AE:1898.191
Object name
designation
object type
figure
Description
description
Female figure (portion of) from sacrificial altar, cast brass. Nos 189-193 were taken from Benin when the place was looted by the British troops in 1897.
Production place
production place
Benin City, Nigeria, West Africa, Africa
Acquisition source
prior source
Webster, W.D.
Notes
notes
Images
images
License
"This image is reproduced with the kind permission of the National Museum of Ireland, in whom the copyright vests. The image may not be copied in any form or medium, nor made available by any means without the consent of the copyright owner."
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here